The Kink Kontroversy
Studio album by  the Kinks
Released	26 November 1965
Recorded	25–26 October and 3–4 November 1965 (except early August 1965 for "Ring the Bells")[1]
Studio	Pye, London
Genre	Beat[2] rock and roll[3]
Length	30:12
Label	Pye (UK) Reprise (US)
Producer	Shel Talmy
The Kinks chronology
Kinda Kinks (1965) The Kink Kontroversy (1965) Face to Face (1966)
The Kinks US chronology
Kinkdom (1965) The Kink Kontroversy (1966) The Kinks Greatest Hits! (1966)
Singles from The Kink Kontroversy
"Till the End of the Day"/"Where Have All the Good Times Gone" Released: 19 November 1965

The Kink Kontroversy is the third studio album by the English rock band the Kinks, released on 26 November 1965 in the United Kingdom and in March 1966 in the United States, where it was the first American Kinks album to feature an identical tracklist to its UK counterpart. It is a transitional work, with elements of both the earlier Kinks' styles (heavily blues-influenced songs such as "Milk Cow Blues" and variations on the band's power chord-driven hits from 1964–1965 such as "Till the End of the Day") and early indications of the future direction of Ray Davies' songwriting styles ("The World Keeps Going Round" and "I'm On an Island"). The liner notes were written by Michael Aldred.